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You know I love you guys, but I'm about to ask a question that might not help you at all.
It will, however, help me.
Bright,
You are absolutely welcome to post whatever questions you need answered here, and on the rest of the forum. I bet you, the guys will learn SOMETHING from this, even if it's how to TRY to steal a target away from an Alpha Femme.
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Zip,
As an attractive woman, how do you manage your approach with other women? My biggest sticking point is disarming the quasi-bitch shield of competitiveness that HB's react to unfamiliar HB's with. Guy's have to prove they're worth her time and overcome her disinterest. I have to disarm her competitive streak and break through actual hostility.
Spark and I have been sarging together for a little while now, and although this isn't holding me back from opening groups or winging for him, it's still the boys who slip me their numbers at the end of the night.
Not that I wanted this all to be easy. That would be boring.
Thanks in advance.
I know exactly what you are talking about. I've also contacted one of my mentors, who the most amazing natural lesbian pick up artist I've ever seen, to answer this question in tandem.
When I set my target on a cute girl, from the moment of first eye contact, she knows what I want. That's because I have the power to out compete her in that area, and she's all for it.
However, going after incredibly gorgeous women, especially if you're not sure if they are interested in girls, I take a disarming route. I offer them a friendly release from the obvious boredom they are experiencing in the club. (Really hot girls who are looking for someone to open them always look/act bored.)
I offer them something different, in a relaxed way. That's communicated through where I'm standing in the bar (calibrated to her body language and where she's looking.) If she's the one making fun of her stupid girl friends for drinking like pussies, I'm the one challenging her to a jager and whiskey back. If she's a smoker, I'm outside with a zippo. I watch their social dynamics and get a step ahead. Then, when I'm in their frame, I turn my frame on so that it swallows her. I am her escape. I break her routine. We talk about how everyone in the place is so droll, and we dance. I start flipping her attraction switches. BAM.